Brewers Against Turbidity

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I’ve been talking about it for ages, and finally done it: created a card game for brewers.

I love playing Cards Against Humanity. The more random the response, the more I love it. It’s my favourite go-to game for any get together. But how much better would it be if we could play a brewing-themed version with our brewing friends? Our niche knowledge and shared experiences would make for some great combos. So, here it is: Brewers Against Turbidity.

That’s Turbidity – meaning the hazy, cloudy character of beer. Not Tubridy – the Irish talk show host (you would be amazed how much confusion this has caused in Ireland).

The project is live on Kickstarter until April 2, 2016. I have played the game now with a few of the professional and home brewers in the Irish craft beer scene, and it is very well received!

Everyone’s got that one card that always wins…

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I’ve set a stretch goal of 1,500 so we can upgrade the quality of the card from regular smooth finish to linen finish. After playing in a beer soaked setting, I think the linen finish would be more durable. I can’t wait to have the decks printed and see people enjoying the game together.

Wedding Knitting

I have been looking at wedding dresses ever since we got engaged in July, and I finally found one I really loved. They happened to have some samples on sale at David’s Bridal, and I took the leap and ordered one. Even though David’s Bridal is in the US, and I am in Ireland, it was no problem having it shipped to me. It arrived last week and I was so excited to open it and try it on!

DSC_0438 Continue reading

Droughtlander Reading

If you’re like me you CAN’T WAIT for season 2 of Outlander. However, with a release date of Spring 2016, it will be a loooong wait. Like many, I’ve been thinking about Droughtlander reading, but I am always disappointed with the books that are recommended. It’s not enough to simply suggest a book that is also set in 18th Century Scotland with a hunky love interest. That is too close to Outlander, and the fact is nothing else could ever -be- Outlander. Instead, I have looked for books that carry some of the important themes that I enjoyed from the books. Continue reading

Garden Pickles

Some people have said this was a terrible summer. I didn’t find it that bad –  in fact I actually managed to get some cucumbers to grow! CucumbersI also grew some dill with the hopes that I would be able to make dill pickles. These are a little bit hard to find in Ireland. Sometimes you can find them in the Polish food sections, but generally stores only have “gherkins” which are really not the same. Continue reading

Book Launch Night

After months of hard work I can finally anounce the release of a new book of knitting patterns: These Islands: Knits from Ireland, Scotland, and Britain. This book was co-written with Suzanne McEndoo and Evin O’Keefe (winner of Ireland’s best craft blog in 2014).

This book features a number of knitting patterns that are knit with yarn from these islands. This means the sheep lived their lives in Ireland or the UK. The wool was shorn, spun, and dyed right here. This book is an extension of the ethos of Smudge Yarns to use wool that is as local as possible.

To celebrate we are hosting a Book Launch Night on April 9th. The event is graciously hosted by Knit, on Main Street in Midleton. Spaces are limited, so guests are invited to book tickets in advance. All ticket holders will be entered into a raffle to win a special craft hamper. This hamper includes some limited edition skeins of yarn and some delicious craft beers.

Machine Knit Sweater

Come see what I did over my Christmas break – I knit a sweater!

I put my Knitmaster knitting machine to work this week and whipped up a sweater for myself. Last year I knit a sweater for my boyfriend as a Christmas gift. This year, I knit one for myself. Both were made with my own hand dyed DK Alpaca yarn. Because Alpaca does not have much structure, this is a soft, bouncey sweater with a lot of drape.

Although some people alternate rows when knitting with multiple skeins of hand dyed yarn, I find this increases the likelihood of pooling. When I dye my skeins, I try to design them not to pool. So, if alternating rows with multiple skeins – all bets are off! I knit this in the colorway “Mulberry” and I am delighted to say, not a trace of pooling in sight! I seamed this purl side out. When it comes to hand dyed yarn, I think I actually prefer the purl side!

Machine Knit Sweater Pattern
This is the pattern I used to make my sweater. This will make roughly a Women’s XL. Because DK weight yarn is a bit thick for my machine, I made this putting only every other needle into work.
BODY: Cast on 90 stitches (every other needle in work). Set stitch tension to 6 and knit 18 rows. Stop and work a faux rib by dropping every third stitch and then latching back up. Set stitch tension to 8. Knit until piece measures 16 inches in length. RC 000. Cast off 6 stitches beginning next two rows. Decrease 1 stitch each side every alternate 4 rows. Do this 6 times. (RC = 26)
FOR BACK: Knit a further 10 inches. Cast off 5 stitches beginning next 2 rows. Cast off 4 stitches beginning next 2 rows. Cast off remaining stitches.
FOR FRONT: Knit a further 9 inches. Divide work by placing all needles left of center in hold position (put needles in D position and switch Russel Levers to I). Place a piece of waste yarn through the center stitch and also put in hold position. Working Right Side only, decrease 1 stitch at neck edge until 17 stitches remain in work. Knit 4 rows. Bind off 4 stitches at shoulder edge every alternate row until all stitches are bound off. Now work the Left Side in the same manner, leaving center stitch in hold position.
SLEEVES: Cast on 38 stitches (every other needle). Set stitch tention to 6. Knit 12 rows, then stop and make faux rib. RC000. Set stitch tension to 8. Increase one stitch both sides every 4th row until RC=40; then every 6th row until there are 72 needles in work. Knit until the piece measures 16 inches long. RC000. Cast off 5 stitches at beginning of next 2 rows. Decrease 1 stitch each side every other row 2 times. Decrease 1 stitch each side every 4th row 2 times. Knit 4 rows. Decrease 1 stitch each side every alternate row 8 times. Decrease 1 stitch each side every row 5 times. RC=39. Cast off remaining stitches.
NECK RIB: Using the stitch transfer tool, cast on the edge stitches of the neck edge (front body and back body). Set stitch tension to 5. Knit 12 rows, then make faux rib. Bind off loosely. Seam all pieces together.

Follow Your Arrow

About a week ago I set about knitting Ysolda Teague’s “Follow Your Arrow” Shawl. This was designed as a mystery knit along. There are 5 clues to the pattern, and with each clue the knitter can choose choice A or choice B, which leads to a wide variety of finished shawls. I however, succumb to the temptation of viewing spoilers, so I knew what my shawl would look like in the end. I wanted it to be quite colorful and show off several shades of my hand dyed lace yarn. I worked each clue with a different colorway:

1A worked in “Grove” (7 grams) and “Sugar Maple (7grams)

2B worked in “Deep Water” (14 grams)

3B worked in undyed yarn (7 grams)

4B worked in “Selkie” (15 grams)

5A first two rows worked in “Grove”, remainder worked in “Deep Water” (16 grams)

Total project used 66 grams of lace yarn (460m/500yds) knit on size US3/3.25mm needles

The result is a very colorful shawl. I inserted a bit of undyed white yarn in the middle to cleanse the palate, so to speak. To me this project is just a sunny day distilled into knitted shawl form. The beginning of the shawl knit very quickly, and I found the pattern quite easy to follow. I cast on Sunday afternoon and cast off in the wee hours of  the following Saturday.

Women in Beer Culture

Women in craft beer – it’s a topic that pops up again and again on the interwebs. Various bloggers and beer writers will tell you why women’s involvement in beer is either justified or unjustified.  A recent post by a beer blogger from the UK caused a stir in the craft beer community when he stated that to him beer is a masculine drink and women who drink it are unattractive.  He states this is “a cultural and ‘natural’, norm. For me, it’s just sort of simply ‘the way it is’ and should be – a natural law if you will.”  He bases this on the fact that when he was growing up “pubs were a refuge for men  – a place to be away from women…Pubs were dens and bastions of stereotypical male culture, where vulgarity, lewd behavior and words and actions not necessarily welcome in polite society were embraced and even encouraged.” It is true that British pubs were often a segregated atmosphere even into the late 20th century. Some historical studies would suggest that the drinking habits of women are directly linked to whether or not they work outside the home. Perhaps this still may have something to do with perceptions – there is “men’s work” and there is “women’s work”, and accordingly there are manly drinks and female drinks. As employment trends move away from manufacturing and towards a service-based economy, the line between “gender-appropriate” jobs is blurred, and so is the line between gender-based drinking cultures.

I have never experienced this gender-appropriate drinking culture myself. Being from Milwaukee “Brew City” – home of Miller, Pabst, Schlitz, and other fizzy yellow beers – lager was always the drink of the masses. Despite being an area heavily dependent on manufacturing, advertisements for beer during my parent’s generation featured women drinking and enjoying beer (yes drinking it, not just serving it). But then, you could hardly live in “Brew City” and order a glass of wine!

Another important event in the history of American beer drinking was Prohibition. When taverns re-opened in the 1930s they catered to a “couples trade” – meaning men and women would visit drinking establishments together. The design of taverns changed to facilitate conversations adding cozy booths with tables. This represented a change in drinking practices from the “saloon” atmosphere which had ruffled the feathers of so many women and fueled the Temperance movement. This saloon atmosphere which largely disappeared in mid-century America continued to be prevalent in Britain and Ireland well into the late 20th century (for more on the history of taverns check out this video.) Going back before prohibition many Americans of German descent would spend Sundays drinking beer as a family in beer gardens. The most famous of these was the elegant Schlitz Palm Gardens in Milwaukee. I would suggest these are some historical reasons why an English Gent and a Wisconsin Girl would have such vastly different views on the gender of beer.

Moving into the 21st century when many American lager brewers choose to use women as sex objects in advertising, it would only make sense that women would prefer to drink beer from small craft brewers who use non-sexist advertising and espouse egalitarian principles. Interestingly, alcohol advertising in Ireland is legally prohibited from suggesting that drinking will increase sexual prowess, and thus most advertisements do not present women as bikini-clad sex objects. This should make gains in female drinkers easier in the Irish beer market, however gender gaps bred from generations of gender-segregated education (administered by the Catholic Church) has historically left many men and women viewing the opposite sex as an “other.”  Generation Emigration may offer a huge boon to Irish craft beer producers when they return (if they ever return?). Having experienced egalitarian craft beer culture abroad, many will likely be unwilling to be relegated to stereotypes of female drinking. Market research in the US has suggested that when women are told what they “ought” to drink, women tend to rebel:

“… craft brewers also typically do a better job marketing to women—by not marketing to women. Beers that try to present themselves as particularly women-friendly face almost universal derision and scorn on the website’s forums for being patronizing. “A lot of what is coming out is clear or light, low-calorie and fruity or flowery beer which is either packaged in pink or somehow misses the mark,” she says. “Most of the reaction is that women do not want something that is specifically targeted at them, but that is gender-neutral in marketing and is a delicious product.”

As for the original blogger who claims pubs are a place to be away from women and engage in lewd behavior – this is not a virtuous argument. Just as in the telling of racist jokes, if you wouldn’t say it to someone’s face then you probably shouldn’t be saying it at all. His argument tacitly implies that men who drink in pubs spend a considerable amount of time degrading women, and instead of mending their ways they simply wish to be allowed to continue to degrade women without challenge.  As for using a pub to escape family life –  the current generation in Ireland and abroad probably has a slightly different objective. With 36% of US Millenials ages 18-31 stuck living at home (40% of young men and 32% of young women) it seems more likely that young patrons are going to their local pub to escape their parents. Finally, the argument that women drinking beer is unfeminine because “that’s the way it is” is perhaps the most deplorable argument. This type of argument has long been used to exert social pressure on women to prevent them from voting, working, and being educated. However, a  stunning 51% of Irish people aged 30-34 have completed third level education – the highest percentage in the EU according to figures from the statistical office Eurostat. In this age group 58% of women have a degree, compared to only 44% of men. You might conclude that anyone wishing to tell young Irish women they ought not to do something because “that’s the way it is” has quite a battle before him.